![]() “You may never have time to walk into AEIVA - though we hope you have a chance to visit - but outdoor sculpture can provide you with that momentary break in your day and retreat from your thoughts a chance to be inspired or a chance to learn something about our university’s history. Outdoor sculpture can break up the sometimes-monotonous rhythms of life and add to the vibrant energy that pulses through our campus, our city and our community,” McClellan said.Ĭhoose a trail on this specialized Google Map, created by the UAB Reporter with help from the Office of Risk Management and the Abroms-Engel Institute for the Visual Arts. “Outdoor sculpture fills a niche that we museums cannot: 24/7 visibility and availability,” said Christina McClellan, registrar for collections, exhibitions and programs at UAB’s Abroms-Engel Institute for the Visual Arts. It was Sam Barker, Ph.D., the first dean of The Graduate School and longtime patron of the arts in Birmingham, who funded, commissioned and oversaw the addition of many of the public works of art on UAB's campus from the 1970s to the 1990s. Several more sculptures are products of an endowment Barker left to help artists complete and install works on campus. ![]() ![]() Each trail takes about 30 minutes to walk - perfect for a cool morning before work, a lunch hour with co-workers or after hours while waiting for traffic to die down. This Wellness Week, walk one of three two-mile trails to glimpse some of the beautiful outdoor public art on UAB’s campus. Many are works by well-known artists, like Italian sculptor Giuseppe Moretti, creator of Birmingham’s famous Vulcan statue, and Frank Stella, Brad Morton and Be Gardiner. UAB’s campus is home to more than 35 statues or sculptures, housed behind residence halls, in green spaces, by libraries and in the Mini Park, among other places. "Princess," Edric said, "make your choice."Complex Vision" by Yaacov Agam was installed in 1969 on the exterior of Callahan Eye Hospital. He saw Idaho killed by my father's Sardaukar." "Paul has mourned the loss often in my presence. "Or merely another Face Dancer?" Irulan asked. You have been chosen as an instrument of destiny, the very finest" "Princess," Edric said, "make your choice. High cheekbones formed shelves for eyes with definite epicanthic folds. The face remained somewhat round, but darker and with slightly flattened features. Presently, a slender man stood before her. Scytale, observing her attention, exercised his Face-Dancer powers - shape flowing into shape, flesh moving and readjusting. "Our conspiracy requires a lever," Scytale said. This makes us the one true hope, the certain salvation of humankind." He spoke in the speech mode for absolute conviction, which was perhaps the ultimate sneer coming, as it did, from a Tleilaxu. To make sure the Reverend Mother understood, Scytale said: "Listening carefully to the teacher, one acquires an education." The pontificating fool was their major weakness. Scytale shrugged, a gesture designed solely for the Reverend Mother. "We are more than conspirators," the Reverend Mother countered. "Why?" she asked, directing the question at Scytale. Only the Reverend Mother appeared to understand the subtlety. The body - that's the flesh of a renowned swordmaster known as Duncan Idaho. "Would I might disown my own hands which trained her." "That traitorous bitch," Mohiam said, voice level. "The Atreides will defeat himself" Edric crowed.
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